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minimalste (Deutsch)Bearbeiten · Deklinierte FormBearbeiten. Worttrennung: mi·​ni·mals·te. Aussprache: IPA: [miniˈmaːlstə]: Hörbeispiele: —: Reime: aːlstə. minimalste beim Online Wö ✓ Rechtschreibung, ✓ Silbentrennung, ✓ Aussprache. Suche nach minimalsten. im Duden nachschlagen → und Zeit sparen · → Mehr erfahren. Ihre Suche im Wörterbuch nach minimalsten ergab folgende Treffer. Starke Deklination am minimalsten. Maskulin, Neutral, Feminin, Plural. Nom. minimalster, minimalstes, minimalste, minimalste. Gen. Um minimalste Bewegungen der Platte zu verhindern, die auf grund wiederholter und abwechselnder Beanspruchungen vom Roboter erzeugt werden während.


Suche nach minimalsten. im Duden nachschlagen → und Zeit sparen · → Mehr erfahren. Ihre Suche im Wörterbuch nach minimalsten ergab folgende Treffer. minimalste (Deutsch)Bearbeiten · Deklinierte FormBearbeiten. Worttrennung: mi·​ni·mals·te. Aussprache: IPA: [miniˈmaːlstə]: Hörbeispiele: —: Reime: aːlstə. Deutsch-Englisch-Übersetzungen für minimalste im Online-Wörterbuch (​Englischwörterbuch).

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Tiny house on wheels: The Ébène V2

In this essay, Judd found a starting point for a new territory for American art, and a simultaneous rejection of residual inherited European artistic values.

He pointed to evidence of this development in the works of an array of artists active in New York at the time, including Jasper Johns , Dan Flavin and Lee Bontecou.

Of "preliminary" importance for Judd was the work of George Earl Ortman , [19] who had concretized and distilled painting's forms into blunt, tough, philosophically charged geometries.

These Specific Objects inhabited a space not then comfortably classifiable as either painting or sculpture. That the categorical identity of such objects was itself in question, and that they avoided easy association with well-worn and over-familiar conventions, was a part of their value for Judd.

This movement was criticized by modernist formalist art critics and historians. Some critics thought minimal art represented a misunderstanding of the modern dialectic of painting and sculpture as defined by critic Clement Greenberg , arguably the dominant American critic of painting in the period leading up to the s.

The most notable critique of minimalism was produced by Michael Fried , a formalist critic, who objected to the work on the basis of its "theatricality".

In Art and Objecthood published in Artforum in June he declared that the minimal work of art, particularly minimal sculpture, was based on an engagement with the physicality of the spectator.

He argued that work like Robert Morris's transformed the act of viewing into a type of spectacle , in which the artifice of the act observation and the viewer's participation in the work were unveiled.

Fried saw this displacement of the viewer's experience from an aesthetic engagement within, to an event outside of the artwork as a failure of minimal art.

Fried's essay was immediately challenged by postminimalist and earth artist Robert Smithson in a letter to the editor in the October issue of Artforum.

Smithson stated the following: "What Fried fears most is the consciousness of what he is doing—namely being himself theatrical.

Ad Reinhardt , actually an artist of the Abstract Expressionist generation, but one whose reductive nearly all-black paintings seemed to anticipate minimalism, had this to say about the value of a reductive approach to art:.

The more stuff in it, the busier the work of art, the worse it is. More is less. Less is more. The eye is a menace to clear sight.

The laying bare of oneself is obscene. Art begins with the getting rid of nature. Reinhardt's remark directly addresses and contradicts Hans Hofmann 's regard for nature as the source of his own abstract expressionist paintings.

When I brought Hofmann up to meet Pollock and see his work which was before we moved here, Hofmann's reaction was—one of the questions he asked Jackson was, "Do you work from nature?

The meeting between Pollock and Hofmann took place in In software and user interface design , minimalism describes the usage of fewer design elements, flat design , fewer options and features, and tendencially less occupied screen space.

One example is the user interface of the Samsung Galaxy S6 [24] , where many options and items from menus and settings were pruned.

The update to Android Lollipop removed the shortcuts to "Silent", "Vibration only", and "Sound on" in the stand-by menu. The Android Lollipop update late — applied to both stock Android and TouchWiz UI devices changes the appearance of the user interface, especially the setting menus [26] of which the use of icons, border lines, edges, and contrast elements have been reduced to a minimum.

Furthermore, the remaining icons have become less skeumorphistic and more abstract , adapting to flat design language.

The density of the elements on the user interface has decreased. There is more whitespace, or unoccupied screen space. Similar changes happened with the update from iOS 6 to iOS 7.

Since then, unavailable options are hidden completely, which makes the context menu occupy less screen space, but it might cause the user to not realize immediately that the feature is unavailable.

In June , the layout of Instagram 's website was fully redesigned to resemble the mobile application and mobile website, pruning many user interface elements, for example, the slideshow banner.

Another example is the Skype redesign [ when? The term minimalism is also used to describe a trend in design and architecture , wherein the subject is reduced to its necessary elements.

Minimalistic design has been highly influenced by Japanese traditional design and architecture. There are observers who describe the emergence of minimalism as a response to the brashness and chaos of urban life.

In Japan, for example, minimalist architecture began to gain traction in the s when its cities experienced rapid expansion and booming population.

The design was considered an antidote to the "overpowering presence of traffic, advertising, jumbled building scales, and imposing roadways.

The minimalist design philosophy did not arrive in Japan by way of another country as it was already part of the Japanese culture rooted on the Zen philosophy.

There are those who specifically attribute the design movement to Japan's spirituality and view of nature. Architect Ludwig Mies van der Rohe — adopted the motto "Less is more" to describe his aesthetic.

Designer Buckminster Fuller — adopted the engineer's goal of "Doing more with less", but his concerns were oriented toward technology and engineering rather than aesthetics.

Minimalist architecture became popular in the late s in London and New York, [33] where architects and fashion designers worked together in the boutiques to achieve simplicity, using white elements, cold lighting, large space with minimum objects and furniture.

The concept of minimalist architecture is to strip everything down to its essential quality and achieve simplicity. The considerations for 'essences' are light, form, detail of material, space, place, and human condition.

They consider the spiritual dimension and the invisible, by listening to the figure and paying attention to details, people, space, nature, and materials.

In addition, they "open a dialogue" with the surrounding environment to decide the most essential materials for the construction and create relationships between buildings and sites.

In minimalist architecture, design elements strive to convey the message of simplicity. The basic geometric forms, elements without decoration, simple materials and the repetitions of structures represent a sense of order and essential quality.

The idea of simplicity appears in many cultures, especially the Japanese traditional culture of Zen Philosophy.

Japanese manipulate the Zen culture into aesthetic and design elements for their buildings. Zen concepts of simplicity transmit the ideas of freedom and essence of living.

The Japanese aesthetic principle of Ma refers to empty or open space. It removes all the unnecessary internal walls and opens up the space. The emptiness of spatial arrangement reduces everything down to the most essential quality.

The Japanese aesthetic of Wabi-sabi values the quality of simple and plain objects. People cut off the branches, leaves and blossoms from the plants and only retain the essential part of the plant.

This conveys the idea of essential quality and innate character in nature. However, far from being just a spatial concept, Ma is present in all aspects of Japanese daily life, as it applies to time as well as to daily tasks.

The Japanese minimalist architect Tadao Ando conveys the Japanese traditional spirit and his own perception of nature in his works.

His design concepts are materials, pure geometry and nature. He normally uses concrete or natural wood and basic structural form to achieve austerity and rays of light in space.

He also sets up dialogue between the site and nature to create relationship and order with the buildings. Credited with creating and influencing a particular genre of Japanese Minimalism, [53] Sejimas delicate, intelligent designs may use white color, thin construction sections and transparent elements to create the phenomenal building type often associated with minimalism.

In Vitra Conference Pavilion, Weil am Rhein, , the concepts are to bring together the relationships between building, human movement, site and nature.

Which as one main point of minimalism ideology that establish dialogue between the building and site. The building uses the simple forms of circle and rectangle to contrast the filled and void space of the interior and nature.

In the foyer, there is a large landscape window that looks out to the exterior. This achieves the simple and silence of architecture and enhances the light, wind, time and nature in space.

John Pawson is a British minimalist architect; his design concepts are soul, light, and order. He believes that though reduced clutter and simplification of the interior to a point that gets beyond the idea of essential quality, there is a sense of clarity and richness of simplicity instead of emptiness.

The materials in his design reveal the perception toward space, surface, and volume. Moreover, he likes to use natural materials because of their aliveness, sense of depth and quality of an individual.

He is also attracted by the important influences from Japanese Zen Philosophy. John Pawson's interior design concepts for this project are to create simple, peaceful and orderly spatial arrangements.

He used stone floors and white walls to achieve simplicity and harmony for space. He also emphasises reduction and eliminates the visual distortions, such as the air conditioning and lamps to achieve a sense of purity for interior.

Alberto Campo Baeza is a Spanish architect and describes his work as essential architecture. He values the concepts of light, idea and space.

Light is essential and achieves the relationship between inhabitants and the building. Ideas are to meet the function and context of space, forms, and construction.

Space is shaped by the minimal geometric forms to avoid decoration that is not essential. Gasper House, Zahora, is a residence that the client wanted to be independent.

High walls create the enclosed space and the stone floors used in house and courtyard show the continuality of interior and exterior.

The white colour of the walls reveals the simplicity and unity of the building. The feature of the structure make lines to form the continuously horizontal house, therefore natural light projects horizontally through the building.

Literary minimalism is characterized by an economy with words and a focus on surface description. Minimalist writers eschew adverbs and prefer allowing context to dictate meaning.

Readers are expected to take an active role in creating the story, to "choose sides" based on oblique hints and innuendo, rather than react to directions from the writer.

Some s-era crime fiction of writers such as James M. Cain and Jim Thompson adopted a stripped-down, matter-of-fact prose style to considerable effect; some classify this prose style as minimalism.

Another strand of literary minimalism arose in response to the metafiction trend of the s and early s John Barth , Robert Coover , and William H.

These writers were also sparse with prose and kept a psychological distance from their subject matter. Minimalist writers, or those who are identified with minimalism during certain periods of their writing careers, include the following: Raymond Carver , Ann Beattie , Bret Easton Ellis , Charles Bukowski , Ernest Hemingway , K.

The term "minimalism" is also sometimes associated with the briefest of poetic genres, haiku , which originated in Japan, but has been domesticated in English literature by poets such as Nick Virgilio , Raymond Roseliep , and George Swede.

The Irish writer Samuel Beckett is well known for his minimalist plays and prose, as is the Norwegian writer Jon Fosse. Dimitris Lyacos 's With the People from the Bridge , combining elliptical monologues with a pared-down prose narrative is a contemporary example of minimalist playwrighting.

In his novel The Easy Chain , Evan Dara includes a page section written in the style of musical minimalism, in particular inspired by composer Steve Reich.

Intending to represent the psychological state agitation of the novel's main character, the section's successive lines of text are built on repetitive and developing phrases.

The term "minimal music" was derived around by Michael Nyman from the concept of minimalism, which was earlier applied to the visual arts.

Their films typically tell a simple story with straight forward camera usage and minimal use of score. Paul Schrader named their kind of cinema: "transcendental cinema".

Lumina directa, indirecta ,difuza, puncte de lumina care pot mari spatiul, acoperi un zid, reflecta culorile, lumina anumite obiecte de mibilier sau accentua un anumit traseu.

Este foarte interesant de observat ca prin utilizarea filtrelor de lumina, materialelor foarte deschise ,sticla translucida, sau luminii difuze, obiectele par sa sfideze legile gravitatiei.

Materialele translucide au mai degraba abilitatea de a sugera contururile decat de a ni le arata. Lumina care patrunde prin acestea estompeaza muchiile obiectelor, facandu-le sa arate de parca s-ar dizolva in spatiu.

Panourile din lemn laminat au efect similar. Aparent solide de la distanta, pot fi modelate in foarte multe modalitati fara a strica aspectul final al suprafetei, fiind armonizat de lumina filtrata.

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